Cultic Studies Journal, Vol. 8, No. 2, 1991, Page 52
weakness, makes it more likely that if defendant killed the victim, he did so
intentionally rather than by accident, i.e., though recklessness or criminal
negligence.41
It appears that the state of Maine, at least, is prepared to take LaVey at his word. So should
we all. For, as William of Ockham believed, one such incident provides a fact from which
parallels may be deduced. It is logical, in Ockham‟s terms, to conclude that additional
violent incidents accompanied by The Satanic Bible were influenced by LaVey‟s message. It
is also worth noting that this decision was handed down before Satanism became a widely
covered topic in the media.
On the other hand, Michael Aquino stated on the Geraldo Rivera Show that the Satanic Bible
is mere “polemics” and is not to be taken literally. If this is the case, it raises a number of
questions in regard to CSER‟s report. The Church of Satan is presented as the exemplar of
“recognized satanic churches.” If this “church‟s” scripture is exposed as nothing but
“polemics,” what does that say about the legitimacy and sincerity of the “church” and the
intellectual status and sense of responsibility of Anton LaVey? To be fair, however, we must
note that LaVey may not be entirely to blame for the contents of the Satanic Bible.
According to his former acolyte, Michael Aquino, LaVey lifted an entire section of the book
from a previous work:
The Satanic Bible consists of two comparatively distinct sections of writings:
those articulating the social philosophy of Satanism (the Book of Satan and
the Book of Lucifer) and those giving instructions for the practice of Satanic
magic (the Book of Belial and the Book of Leviathan) ...The Book of Satan is
represented as a diatribe by Anton on behalf of the Devil. Not until 1987 was
it discovered that he was not its true author at all. It is in fact authored by a
New Zealander by the name of Arthur Desmond, who wrote it under the pen
name of “Ragnar Redbeard” in 1896. (Although Anton includes the name of
Redbeard in his roster of names to whom the Satanic Bible is dedicated, he
does not explain that dedication, nor credit Redbeard in any way as the true
author of the contents of the Book of Satan.) The plagiarisms that constitute
the Book of Satan are to be found through Redbeard‟s book Might is Right.42
In regard to the issue of “rebellious” youth who are supposedly using Satanism as an
“excuse” to do things they would do anyway -a favorite CSER catchphrase -some
observations on the phenomenon of the “thrill high” are pertinent. Rob Tucker, director of
the Toronto-based Council on Mind Abuse, reports that some participants experience
euphoria during certain satanic ceremonies, and this “high” is often linked to destructive
acts against others. Tucker notes that the youths apparently “learn” this kind of pleasure
some report experiencing it as a powerful urge to harm, and say they can achieve it by
systematically torturing and killing animals. (This “power rush” is celebrated throughout
“dark metal” music.) These “thrill kids” are characterized by pleasure, lack of remorse, and
lack of guilt.43
Heavy Metal
But the authors of the CSER report see no such dangers deriving from the effects of heavy
metal music. While acknowledging heavy metal‟s “wild and rebellious” lyrics, “shocking
symbolism,” “ritual costumes,” and “concert theatrics,” the report denies that a specifically
satanic message could be conveyed by such a “hodgepodge of symbols culled from various
subcultures.”
The symbols am not presented in a coherent or effective way for conveying a
particular message, either in the lyrics, album covers, posters or stage acts.
Rather, the symbols seem intended more to shock than to convert, or to give
Cultic Studies Journal, Vol. 8, No. 2, 1991, Page 53
the aura of the existence of some message just beyond the audience‟s
understanding.44
One has to wonder how much the CSER authors know about our youth. Have they ever
been to a concert of this type? It is common knowledge that such an experience is
unpleasant to downright dangerous. Have they ever witnessed “slam dancing”? Have they
lost sight of the difference between a lullaby, a dirge, and music composed for the sole
purpose of producing the eradication of thought by the arousal of primal instincts and
appetites? Or do they believe that the Rolling Stones‟ “Jumpin‟ Jack Flash” is
indistinguishable from “Silent Night?” One must wonder about this in light of the easily
procured evidence that points toward wholly different conclusions.
The most concrete examples which disprove the report‟s claims about an absence of
coherent messages in heavy metal music are to be found in the lyrics. The group Motley
Crue proclaims in their double platinum album, Shout at the Devil,
Not a woman, but a whore.
I can taste the hate.
Well, now I‟m killing you ...
Watch your face turning blue.
Their song, Bastard, says:
Out go the lights.
In goes the knife.
Pull out his life.
Consider the bastard dead.
Make it quick.
Blow off his head.
This is not explicitly satanic. But it is far removed from the love songs of Elvis Presley and
Buddy Holly. For more explicit encouragement to violence, one need only listen to the group
called Bitch. Their song, Leatherbound, contains the following lines:
The whip is my toy
Handcuffs are your joy
You hold me down and I‟m screaming for more
When you tie me up and gag me
The way you give me pain Give me lashes
C‟mon and drag me.
Perhaps this, too, lacks sufficient satanic references. For that we turn to the well-known
band Venom. In order to avoid being misconstrued, this group conveniently compresses its
message into a form suitable to the inefficient understanding of its audience. Its song,
“Possessed,” could have been written by LaVey himself. Its “ambiguous” message is as
follows:
Look at me, Satan‟s child
Born of evil, thus defiled.
Brought to life through Satan‟s birth
Come look at me and I‟ll show you things that will open your eyes...
Listen to me and I‟ll tell you things that will sicken your mind.
I drink the vomit of the priests,
Make love with the dying whore...
Satan as my master incarnate
Hail, praise to my unholy host.
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