Cultic Studies Review, Vol. 2, No. 3, 2003, Page 75
where the ship's operator Link appears fearful of what is to come. The situation seems to
be such that Morpheus's actions imperil the rebel group and all of awakened humanity.
Instead of justifying his position by logical reasoning, Morpheus simply tells Link: "Trust
me." In other words, Morpheus's authority is inspired/divine rather than human and open
to questioning. To follow Morpheus is to believe in him. In fact reliance on belief, rather
than logic, is what characterizes Morpheus and his relationship with the other rebels.
Morpheus repeatedly talks not about what he knows or has experienced, but what he
believes to be true. And the suspension of critical thinking is a sine qua non in the
relationship between a modern cult's membership and its leader.
Morpheus's special status is illustrated by the lobby shooting spree and the rooftop rescue in
The Matrix. How does Neo justify the murder of many innocent people in the office tower
during his attempt to save Morpheus? Morpheus knows the codes for accessing Zion, and,
as Tank tells Neo, in the interests of awakened humanity, Morpheus's body should be
disconnected and therefore killed before the agents pry the information out of his residual
image. Therefore, the willingness to use "guns, lots of guns" against the security men
cannot be justified even in terms of the rebel's practical goals. The justification for the
ruthless rescue rests on Morpheus's special, semi-divine nature so typical of modern and
medieval cult leaders. The welfare of the divine individual is by definition greater than that
of ordinary humans (awakened or not). After all, the policemen killed by Neo and Trinity
are just a bunch of coppertops whose value pales in comparison to that of a prophet.
None of this is to suggest that the cultic model appears as an intentional semiotic structure
of The Matrix and The Matrix Reloaded. Many critics have pointed out that the Wachowski
brothers were very deliberate in imbuing the film with Buddhist and other traditionally
positive religious overtones. For example, this is how the directors sum up the film's
implications in an interview:
We‘re interested in mythology, theology and, to a certain extent, higher-level mathematics.
All are ways human beings try to answer bigger questions, as well as The Big Question. If
you‘re going to do epic stories, you should concern yourself with those issues. People might
not understand all the allusions in the movie, but they understand the important ideas. We
wanted to make people think, engage their minds a bit (Quoted in James L. Ford, 22).
And indeed, it would be absolutely wrong to suggest that the Wachowskis fail in their
attempt to convey such philosophic ideas. The obvious presence of the intended message
explains the interest that this "action" film has aroused in the academic and philosophic
community. The problem appears to be that the unintended cultic subtext is there at the
same time as the intended subtext. And the result is a mix of discourses which amounts to
a cacophony of values. Jim Jones, Bruce Lee and Buddha appear together on the same
stage and inevitably sing out of tune. There is no denying that the bad guys are
absolutely bad in The Matrix and in The Matrix Reloaded. The problem is that that the good
guys are not good enough.
Works Cited
Bromley, David G. and Edward D. Silver. "The Davidian Tradition: From Paternal Clan to
Prophetic Movement." In Stuart A. Wright Ed. Critical Perspectives on the Branch
Davidian Conflict. Chicago and London: The University of Chicago Press, 1995, 43-
72.
Centner, Christopher M. "Cults and Terrorism: Similarities and Differences." Cultic Studies
Review 2.2 (2003): http://www.cultsandsociety.com/csr_issues/csr_toc2003.2.htm
(no paragraph numeration).
Cohn, Norman. The Pursuit of the Millennium. New York: Harper and Row, 1961.
Collins, Adela Yarbro. Crisis and Catharsis: The Power of the Apocalypse. Philadelphia: The
Westminster Press, 1984.
Cultic Studies Review, Vol. 2, No. 3, 2003, Page 76
Feng, Peter X. "False Double Consciousness: Race, Virtual Reality and the Assimilation of
Hong Kong Action Cinema in The Matrix." In Ziauddin Sardar and Sean Cubitt Eds.
Aliens R Us: The Other in Science Fiction Cinema. London: Pluto Press, 2002: 149-
163.
Flannery-Dailey, Frances and Rachel Wagner. "Wake up! Gnosticism and Buddhism in The
Matrix." Journal of Religion and Film 5. 2 (2001):
http://www.unomaha.edu/~wwwjrf/gnostic.htm (references to paragraph numbers).
Ford, James L. "Buddhism, Christianity, and The Matrix: The Dialectic of Myth-Making in
Contemporary Cinema." Journal of Religion and Film 4.2 (2000):
http://www.unomaha.edu/~wwwjrf/thematrix.htm (references to paragraph
numbers).
Kimball, Samuel A. "Not Begetting the Future: Technological Autochtony, Sexual
Reproduction and the Mythic Structure of the Matrix." Journal Of Popular Culture,
35.3 (2001): 175-203.
Kohlberg, Lawrence. The Philosophy of Moral Development. New York: Harper and Row,
1981.
Morehead, John W. "Terror in the Name of God: The Rise of Religious Terrorism" Cultic
Studies Review 1.3 (2002):
http://www.cultsandsociety.com/csr_issues/csr_toc2002.3.htm (no paragraph
numeration).
Spiegel, James S. "Cinematic Illustrations in Christian Theology." Journal of Religion and
Film 6.2 (2002): http://www.unomaha.edu/~wwwjrf/cinematic.htm (references to
paragraph numbers).
Wachowski, Larry and Andy Wachowski. The Matrix DVD Video. Village Roadshow Pictures.
Warner Bros. Inc., 1999.
Wachowski, Larry and Andy Wachowski. The Matrix Reloaded. Village Roadshow Pictures.
Warner Bros. Inc. 2003.
Vladimir Tumanov, vtumanov@rogers.com
University of Western Ontario, London, Canada
Greenaway, J. P. (2003). In the shadow of the new age: Decoding the
Findhorn Foundation.
London, England: Finderne Publishing. 385 page paperback.
John Greenaway is a British lawyer whose interest in New Age religion took him to
Scotland‘s Findhorn Foundation, considered by many to be Europe‘s Esalen. This book
details his spiritual journey that included ―several short stays‖ at Findhorn, meditation with
a Carmelite monk as ―spiritual director,‖ and ―supplementary direction from Tibetan
Buddhist sources.‖ It is also a detailed history of the New Age from pre-World War II.
Greenaway concludes that New Age religion is socially divisive, blocks understanding by
those of differing spiritual paths, and undermines genuine spiritual renewal.‖
There is a lengthy 12-page Preface that could have been Chapter 1. There are 22 chapters
of varying lengths from Chapter 8 at three pages and Chapter 15 at 70 pages. The
bibliography uses an unusual 4-column format, and there is a detailed 13-page two-column
index. Greenaway considers the Findhorn Foundation ―a highly distorted and
commercialized version of the Ancient Wisdom‖ (p. 19). He describes a major weakness in
many cults and sects, absolute certainty they have spiritual truth though it is based on very
little or highly speculative data. ―Human potential practitioners make their own methods
sound more unique than they actually are‖ (67). Most are actually spin-offs of historical
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